The Harmers (2015, multi-media performance) repositions female subjectivity in the post-feminist era, through the backdrop of a call-in Satellite radio show. A male shock-jock is unhinged by the conflicting viewpoints of his female callers resulting in a violent clash of wills and a climactic re-distribution of sexual and political power. Vocal Repetition, slapstick antics and sonic punctuation are incorporated in this ode to the multiplicity of class and gender in 21st century America.